Baroque Reason
The Aesthetics of Modernity
- Christine Buci-Glucksmann - University of Paris VIII, France
March 1994 | 192 pages | SAGE Publications Ltd
In this fascinating book, Christine Buci-Glucksmann explores the condition of modernity-alienation, melancholy, and nostalgia-through the writing of a number of philosophers, including the social and aesthetic writings of Walter Benjamin. In her rich discussion, she focuses on the ways in which social realities can be represented, and in particular with how modernity might be represented. Moreover, she examines how the great 20th-century thinkers like Nietzsche, Adorno, Musil, Barthes, and Lacan--in spite of their many differences-are seen to constitute a baroque paradigm. Finally, her extraordinary exposition of a baroque reason for modernity sheds new light on a number of themes central to modern social theory-the critique of instrumental rationality, the political crisis of socialism, the loss of community and of innocence with the development of industrialization, and the impact of relativism on realist theories of knowledge
This powerful book is essential reading for all those interested in cultural, social, feminist, and literary theory.
Bryan S Turner
Introduction
PART ONE: AN ARCHAEOLOGY OF MODERNITY: ANGELUS NOVUS
Angelic Space
Angelus Novus, an Overwhelming Picture
Baroque Space
Trauerspiel: Allegory as Origin
Baudelairean Space
A Modern Baroque
The Space of Writing
The Angel and the 'Scene' of Writing: In the `Primeval Forest' (Urwald)
PART TWO: THE UTOPIA OF THE FEMININE: BENJAMIN'S TRAJECTORY 2
Catastrophist Utopia
The Feminine as Allegory of Modernity
Anthropological Utopia, or The 'Heroines' of Modernity
Transgressive Utopia
'Image Frontiers' of Writing and History
Appendix
Viennese Figures of Otherness: Femininity and Jewishness
PART THREE: BAROQUE REASON
An Aesthetics of Otherness
Salome or, The Baroque Scenography of Desire
The Stage of the Modern and the Look of Medusa